To Mona The Pick Up HUpsEE Ger

Oona was Mona's best friend and when the pc went down so did her text.
what could she do bt masturbate again while ritin page 12 of Logics of Senses and sense. SO  Franny called
and Mona
and Everyone

Deterritory <verlainelefou@xxxxxxxxx> wrote:
To Mona the writer poet silence was death and she knew all ISBnumbers were mute and silent. A lie for copy cats
 
it was murder.Satanic reader?s flight.blinkers in the stings of the forththee fare of the plateus and watching her quotes for orts knowing 'le rhetoric'  Rosenblatt considers Milton?s monism in the context of Hebraic monism, but this notion of monism needs to be linked to Deleuze?s reading of Spinoza and then re-applied to Paradise Lost. Kendrick reflects on the ?ethical codes? in Milton?s work, and their origins in the capitalist transformations that ?eclipse[d] Freudian deconstruction suggested by Rapaport needngineers, ok? negatives of her desisted desires. SO when the navies broke they broke baboons and shillings, shakos and moilers a moity of salt in her pain was a masturbation on her factory, a factotum of 
 
She quit
and waited until the silence of cities had sailed its way past.
 
 
Jill was writing her Logic of Senses and census when the little boys
gathered around her verlaines and mamies and gawked
at her 
insensible being.
Becoming?
 
A chic thesis was all her nail polish could handle.
Incarnadine bloody was her testicle of humdinger and slander bleus and blues
like life itself
between her transversal ties
and eyes
You called it a poem it was prose in translation. Did you really think I care when I was a genius that your silence was stupidity?
Jill yawned and borrowed heryawn from another man. She was Aristotle and Aristotle's plate. Blake was closer to the garden before Man fell. Pain was not necessary.
SHe knew that.
And silence was a dull depth charge. She wrote on page forty one of the first text of her able book and bookied her way back to the valley of bliss. Her blissfull lesbian self a spelling error from the days of donne and dell. Milkton was her girlfriend and figurehead
she was the halter on the ship's bracing an extended metaphore of poetry and death.
when the book was almost undone she had Blake read it , the myth writ backwards.
I like Deleuze she said
she siad backwards as her tempest was tossed in the temperate clime of her belly and aches were sewn into her mouth of mouths and her farrowed far hill. the sow that cut the lake left the cabin open too late, 
she saw masterpieces were determined shake downs!!
 
Franny screamed!!:

I teach it better in bed

 

its called erotics reading

hahah

Satanic reader?s flight.blinkers in the stings of the forththee fare of the plateus and watching her quotes for orts knowing 'le rhetoric'  Rosenblatt considers Milton?s monism in the context of Hebraic monism, but this notion of monism needs to be linked to Deleuze?s reading of Spinoza and then re-applied to Paradise Lost. Kendrick reflects on the ?ethical codes? in Milton?s work, and their origins in the capitalist transformations that ?eclipse[d] Freudian deconstruction suggested by Rapaport needngineers, ok? negatives of her desisted desires. SO when the navies broke they broke baboons and shillings, shakos and moilers a moity of salt in her pain was a masturbation on her factory, a factotum of 

to far and near

 

to dear and dare

I teach and unpeach and Unpleach as she is undone in the negatives of her desisted desires. SO when the navies broke they broke baboons and shillings, shakos and moilers a moity of salt in her pain was a masturbation on her factory, a factotum of cinammons and cimabues a noli me tanger in the Irish skipping of her plight and accent. So that  was the way the world went in silence and black and knowing she was a black verser told him everything. He was sentencing down every page and dotting the i's with WS did not know everything and thing. Mona was begging the avenue of India she was

I shall prevail against all! she was twelve and her hoon was almost spoon. Her hupemskum'em was ever narcissed!He was warming his was sandwhich between planes, expression, content, form and other strata whacks . She would straighten him out!

 

 

of obedience espoused by Raphael and that he almost (the angelic messenger is a territorializing messenger par excellence) convinces Adam and Eve to follow, functions as an instance of the reterritorializing grasp of the God-machine?s will to dominate and to further ?his? territorial reach. There is no guarantee that God will succeed in this project, and that is, of course, the story of human history, and precisely the narrative that Milton wishes to justify to us, his subjects. Against the monotheistic impulse to dominate and stratify creation, Desire, in the form of the polytheistic force of Satan nee Lucifer, pursues its own investments working through a field of immanence, creating in effect, escapes beyond the escape (Deleuze and Guattari). 

Over and against God the Father?s and God the Son?s internal relations to each other, I will ask what is the meaning of their relation to Satan and Sin, and the subsequent discourse that develops around Adam and Eve. What are God?s and the Son?s position toward human beings before, during, and after the Fall?  As I have suggested above Adam and Eve are the site of God?s reterritorialization after the Luciferian transformation into Satan, and their creation is an blinkers in the stings of the forththee fare of the plateus and watching her quotes for orts knowing 'le rhetoric' attempt to recapture the territory lost to Satan and Death. If Satan is the reterritorialized, then what are Sin and death? Does the concept of sin already enact an initial reterritorialization of desire? How are power, identity, and sex, metamorphosed into the structure of the repressed and reterritorialized subject?  How does this same repressed ?Other? become the psychoanalytic subject of Oedipus -  world went
 in silence and black and knowing she was a black the split, castrated, and neurotic being, who is self-conscious to the point of disease. A reader not surprised by joy, but surprised by captivity.

         At one of the many hearts of Paradise Lost there are a series of strangely denied ?Oedipalizations.?  One of the major theses of Anti-Oedipus is that it is the father (in the Oedipus of Sophocles and in the Freudian psychoanalytic model) who is paranoid and not Oedipus, as in the story where the father has Oedipus put away to pre-empt his own murderous desires toward his son. Within this optic one can see the Son in Paradise Lost taking on the role of Oedipus to placate the ?just? wrath of God, with Satan as his mirror opposite, one who is no less worthy of the combat he engages in. If Satan is paranoid about losing his position, then he is so in response to God. This plateau will show how the ?Oedipalization? of the Son was necessary for God to comp

she would snow him!

it was Prof. Mona and her mother Oedipus next to the fort! Jill held her nose while the master was lost for a second of molecules and her moles were coffee and stained between the switches . She harvested the billows. She bent and winked

and next you knew her heart was bleat buggered and bare. She did not live in the eighteenth but was born there.

L . asked: Do you mean the eighteenth century? that you were not born in the 18th century?

She saw the phone ring and knew a sex change was due, a phone sex operation and more. She heard the diaries of her nerves pelter.

She was sniff and snuff to a pull, and snuff to a gull was nothing it was gomad and bemad and remad remade and panic where'er she went and fled!




Poetry is a way of life.

Make yer own bloody body without organs.
We are difference ework of Charles Baudelaire (Baudelaire and Schizophrenia: The Sociopoetics of Modernism: 1993). I will situate my argument in this study in the context of Milton criticism, with particular attention to the work of Fish, Rosenblatt, Rapaport, and Kendrick. According to Fish, the rewhen the little boys gathered around her verlaines and mamies and gawked
at her 
insensible being.

ader is caught off guard by God in a state of ?sinful? activity (reading poetry equals pleasure so therefore it is sinful unless accompanied by the justification of God to Man), and Milton instructs more than he delights. Fish?s view reterritorializes the reader, and should be supplemented by the schizoanalytic position that detects deterritorializations, which perpetually undermine God?s reading of the text. This deterritorializing line of reading extends Satan?s and the 

 

And

 

when the little boys
gathered around her verlaines and mamies and gawked
at her 
insensible being.


Poetry is a way of life.

Make yer own bloody body without organs.
We are difference engineers, ok?




Poetry is a way of life.

      Make yer own bloody body without organs.
                                      We are difference engineers, ok?

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