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(static) Archive of Design-L, 03-1992 to 11-2004
Design-L activity continued at... AZ: Glossolalia, "speaking in tongues"...
 

international aesthetic (orange)


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+  From: "carr0023@xxxxxxxxxxxxxxx" <carr0023@xxxxxxxxxxxxxxx>
+  Date: Sat, 7 Jan 1995 19:45:27 CST
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______________________________:__:__________________________________________
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assumption. modern \/ modern construction in China, in polar
construction is modern in || regions, and in outer space constructing
use of particular techniques || scaffoldings of metal, structures both
and machines for building || temporary and permanent.,
_______________________________||___________________________________________

The Electric Transmission Tower, metal scaffolding (machine) marching on
the land, carrying electri-c-ity. Permanent constructions, aesthetical
meaning broadcasting tower as antennae, sameness in design, in property,
laws, and ordering. Skeletal, metals from underearth, Eiffel iconic, in
every piece as architecture, always aesthetically asking to be invisible.
construction scaffolding for e-society; e-civilization, Tesla the father
of this design, AC and Tesla Transforming, mystic of constructions, and
a maestro of wooden structures making lightening, even knowing how to send
e-underground; transmission of power through the earth-- this struction
was mysteriously destroyed in 1914. he knew e-mc^2__too too, as envision
of e-swords patented, and plans for e-mag-ships, or flying saucers...
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Wooden Pole Aesthetic, as in construction of scaffolding, even less the
machined modular but dimensioned and standard as wood in regions permits.
\ Edison aesthetic, construction, designed clocks, timers, switching, light,
cords, appliances, technologys, used DC, Direct Current in local design,
and preferred underground application because of pole traffic. Invisible
as natural material, natural as in a trees stalk without leaves, and the
branches of the tension wires are indoor circuits in industrial business.
Columns (Rome) without Capitals, excepting that the captials to this first
system are technologies; a washer, dryer, radio, ice-box, television, and
computer. Icons for distribution scaffolding, of permanent armature of
electricity in our future, is the tree in reflection, else the often seen
Western Cross and International Snake Lamp, iconic private Crucifixation.
<sign-of-e-cross> Public poles nay say, nothing publically so private a
a masterplan of ordering, in the new world of nothing sense, backwards is
now in private hands of seeing-saying.

Public under-construction; over there- there is its architecture; here.
 
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