+
From: human being <human@xxxxxxxxxxxxxxxxxx>
+
Date: Tue, 9 Dec 2003 23:31:51 -0600
i don't disagree with anything you're saying Anand, the
only thing is is that, on-the-ground, the way 'architecture'
works revolves around the definition of the architect, the
authority of the architect, and architecture subsumed to
this, and possibly even (if to go further) in the Ayn Rand
sense of super-hero architect as embodying this ideal
(paralleled Frank Lloyd Wright, was made into a movie).
the code you are citing is copyright, not architectural law
which i assume exists for the licensing of architects as
a professional and legal entity. from what i think i have
understood, the idea of architecture is somehow within
or encapsulated or constituted within your constitution-
here it is not. copyright-law and a definition of 'works' in
relation to this, are how 'architectural works' are defined
in the example you gave. it could likely be another way
of definition used by a lawyer, in another case, to define
architecture, architect, work, value entirely differently if
there was a legal battle and these ideas were central.
on-the-ground, the architect and the idea of 'the architect'
rules here, architecture is otherwise undefined by the
populace, it is a background activity, a stageset which
neither woos/impresses or really informs one about
their surroundings (a pastiche of everything/nothing).
that is why 'infrastructure', it has been proposed, is an
architecture more suited to the architectural/engineering
ingenuity, unique to the 20th c. in the .US and elsewhere
but during that time, a way of representing architectural
orders (in many forms/records/recordings/transmissions)
and yet that 'modern architecture' does not exist in books
or classes, it is invisible as architecture. and 'architects',
then, get to dictate what is 'architectural reality' within a
non-empirical, authoritarian structure without much peer-
review (unless one wants to fail classes, and pay money
for the privilege to be wrong and unworthy of architecture).
as it is, architecture has been defined around a conception
or pre-conceived notion of superior knowledge of culture,
a style/taste/awareness attuned to the general awareness,
understanding, and appreciation of a wide-scale of things
brought into relation within architecture, as a discipline.
though 'the field' of architecture, its pragmatism, has been
both vacant from education (the realities of building things)
while at the same time espousing these built things to be
of highest cultural achievements (when simply buildings,
without other cultural dimensions beyond pragmatics).
the myth of the architect, continued by celebrity culture here,
continues to give high praise to individual abstract expression
by architects who style buildings with ideas, yet these ideas
need not have a common, empirical, peer-reviewed referent
upon which others can pose similar experiments and find
similar results- instead it is like painting and sculpture, to
each their own, through this focus on individuality, greatness.
today, the architect is the dictator of architecture, which is
a system reinforced by the institutions, and hollow at that.
online, where ideas can be challenged, checked, at least
brings some of the wider dimensions to the possibilities,
there is a plethora of experiences of, in, through, about
architecture, by architects, people, situations, contexts,
all of which are what is 'not-architecture' if remembering
John Young's use of the word, it is this missing piece of
the present that is lost in the institutions as is, also in the
approaches and ideas which your questioning and also
sharing of ideas demonstrates the commonality that is
faced by everyone interested in this realm, however so.
in a sense, here, architecture is the enemy, though also
it could be a liberator, yet it has no power in itself as the
potential because it is held back by false constraints of
ego maniacal and entrenched interests and also a lack
of passion for the questions, to go beyond the status quo
not with just 'style' which is just-another-consumable here,
to get to the bedrock of shared and unique questions, and
to engage it, with, through, and by architecture, not architects.
architects, as arbiters or 'what is architecture' are part of the
problem, a huge part. for they benefit from 'knowing about
culture' while knowing very little if anything, and buildings
show this vacancy of knowledge rather well, that much of
the innovation is on the outside of the field, in many ways.
great link, thanks.