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+  From: "Architexturez." <admin-in@xxxxxxxxxxxxxxxxx>
+  Date: Thu, 05 Aug 2004 20:12:45 +0530

http://times.hankooki.com/lpage/opinion/200408/kt2004080418425354130.htm

(214) The Seoul Capitol Building


By Andrei Lankov

For some 75 years, downtown Seoul was dominated by a large grayish building in the ``neo-classical’’ style, so fashionable in Europe of the 1910s and 1920s. To Westerners, this structure was known as Seoul Capitol (a name Koreans never used). Indeed, its shape was reminiscent of the U.S. Capitol building in Washington D.C. The building was the seat of the Japanese colonial administration in Korea and this pedigree let to its demise in 1996 when it was demolished amongst great nationalist pomp.

Technically, Korea lost its independence in 1910, but by that time the Korean king had already been a powerless puppet for several years. All important decisions had to be confirmed by the Japanese resident general. Nonetheless, the transfer of complete control over the country led to explosive growth in the Japanese bureaucracy. In 1910, the resident general was assisted by 73 Japanese officials. In 1911, the central colonial bureaucracy had 840 officials. Of course, these people needed office space, and the old residency building was too small for them.

Thus, in 1911 it was decided to construct a new building for the colonial headquarters. The place was chosen carefully. The new complex had to stand near the entrance to Kyongbok Palace, the old residence of the Korean kings. Actually, the governor general’s office was deliberately positioned to hide the palace from downtown Seoul. This was to remind the Koreans who were the real masters in their country.

In order to make room for the building, some parts of Kyongbok Palace were demolished, and even the Kwanghwa-mun Gates, the pride of Korean architecture, were threatened. These actions led to outrage. Surprisingly, the voice of protest was raised neither by the Korean intellectuals nor by international public opinion. The Koreans were too frightened and international opinion did not matter much those times. It was a prominent Japanese intellectual, Yanagi Mineyoshi, who pressed the colonial government, demanding protection of Korea’s cultural heritage. His one-man crusade greatly annoyed the colonial authorities that initially believed the author of the critical articles was an ethnic Korean (the Chinese characters for his name, unlike most Japanese names, do appear in Korean). Yanagi Mineyoshi’s fight eventually saved Kwanghwa-mun and some other examples of Korean architectural heritage.

But let’s return to the governor general’s office building (a.k.a. Seoul Capitol). The building was reminiscent of many colonial offices erected across the globe in what were then ``colonies’’ and which later became the ``Third World.’’ For example, it is surprisingly similar to the British colonial office in New Delhi. Nonetheless, the building had a touch of Japanese nationalist symbolism. It had the shape of the Chinese character ``日’’ which was part of the word ``Japan (日本).’’ Its dome had the shape of the Japanese imperial crown and its decorations reminded observers of Japan’s ``civilizing mission’’ in East Asia.

Curiously enough, despite all these nationalist references, a Western architect designed the structure. The colonial authorities invited Georg De Lalande, a German national, who from 1901 lived and worked in Japan and China. He was well known in Japanese architectural circles and had designed a number of Tokyo’s important landmarks. De Lalande was assisted by Japanese architects, one of who, Nomura Ichiro, took over the project after de Lalande’s death in 1914.

Construction work began on June 25, 1916, and it took a full decade to complete the project. Those who, like the present author, only saw the Seoul Capitol in the booming 1990s cannot appreciate how impressive it must have looked in earlier decades. Seoul of the 1920s was a city of one or two-story houses with straw roofs still seen in the downtown area. Thus, that imposing building was the city’s major landmark until the late 1960s, when economic growth and large-scale construction changed the city beyond recognition. The interior was equally impressive with marble floors, spacious halls, and granite walls contrasting with the humble dwellings of most Koreans, and projected an image of opulence and authority.

The Seoul Capitol witnessed not only the height of colonial rule, but its demise as well. In this building, Abe, the last Japanese governor, signed the official statement of surrender on Sept. 9, 1945. However, after the collapse of colonial rule, the Seoul Capitol remained at the center of Korean politics. But that is another story…


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