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Architexturez > Mail > [ In-Enaction ] scan: walls: A Line in the Sand (Israel, Berlin)

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+  From: "Architexturez." <admin-in@xxxxxxxxxxxxxxxxx>
+  Date: Sun, 01 Jan 2006 21:36:14 +0530
| the wall, again, as architecture stands between a divided
| world the 'semantic' book search on google gives us these as
| Berlin wall as architecture:
| http://books.google.co.in/books?q=berlin+wall+as+architecture&oi=print


But on a fundamental level, it is also a piece of architecture. And its construction has generated an architectural debate as charged as any in the political realm.

That debate has pitted strategists who mine the leftist architectural theories of the 1960's for ideas on contemporary urban warfare, against architects who see the barrier as a perversion of those ideas, along with the utopian visions of Modernists who believed society's problems could be solved with concrete, glass and steel. It is not only unfolding in the halls of academia, but in Israeli and American military circles. And it presents a vision of the wall as a system of complex, interweaving spaces - some concrete, some invisible - that is far from our normal perception of an international border.

At the center of this debate is Eyal Weizman, a 35-year-old Israeli architect and activist who has been a controversial figure in his homeland since 2002, when he published a report for a local human rights organization that essentially accused Israeli architects of being collaborators in the colonization of the West Bank.
....
Compared to such a dystopian vision, a concrete barrier erected to separate Israelis from Palestinians can seem like an apparition from antiquity, a contemporary counterpart to the Roman "limes," the crude wooden barrier Trajan built to keep out warring tribes - to separate civilization from barbarity.

Yet to Mr. Weizman, these are simply two forms of the same evil. General Navez, he said, "is simply trying to replace one form of control with another that is less visible."

| and the war machine

THE so-called smooth space that is part of General Navez's military vision contrasts strikingly with the experience of the average Israeli or Palestinian on the ground, where it is harder to escape from concrete reality. In the East Jerusalem neighborhood of Abu Dis, for example, the former road to Jericho now ends at a part of the wall spray-painted with anti-American and anti-Israeli graffiti. A freshly paved road leading to an Israeli settlement runs alongside the barrier.

cont'd...
http://www.nytimes.com/2006/01/01/arts/design/01ouro.html


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