south.asia (home) | sub.gate | collaborative(s) | mail.lists | about | search - 
 
 
List co-ordinated with... AZ: Glossolalia, "speaking in tongues"...
Architexturez > Mail > [ In-Enaction ] interview/exhibit: Gained in translation (cardboard design)

List Information Page (subscribe to this list here) + … search this list + RSS Feed

message ## 01907… switch to: Subject Directory | Date Directory | Author Directory -
<< Thread Prev < Date Prev ^ date index +… ^ thread index +… Date Next > Thread Next >>
+  From: "Architexturez." <admin-in@xxxxxxxxxxxxxxxxx>
+  Date: Wed, 07 Jun 2006 14:23:25 +0530
| not the cardboard architecture they
| taught you in schools...

Gained in translation

Thomas Demand makes art that is both disturbing and challenging by modelling the world in cardboard and paper and then photographing the results. On the eve of a new exhibition in London, he talks to Sarah Crompton
.....
Working from newspaper photographs, and from those he commissioned from a press agency and a private investigator, he became obsessed by the many versions of the tavern that were in the public eye: by the place where the events unfolded, the place that later became a target for public hate, the replica of the place that the police built to try to recreate events. In the end, Demand himself built his own replica of the whole building, taking almost a year to refashion it down to the last detail. The dying Yukka he made is still standing in his studio, its shrivelled paper fronds reproducing with chilling accuracy "the plant which is not only a metaphor for the total neglect of a person but also the aftermath of this sad kind of place. It is at one and the same time the saddest thing in the world and on the other hand a thing that everyone has." Layer upon layer of complex meaning are thus worked into these five photographs, which somehow symbolise a modern apocalypse, a crime so outrageous that it stands outside time. But visitors to the gallery will not know of them. They will just see a place - totally innocent in itself - but freighted with meaning by the fact of its recreation.

Demand says simply: "I need to put it all out in front of you. I can't really say anything about the crime itself. I can only say something about the fact that I know about the crime." Thomas Demand's art is like that, at once blank and hugely expressive. It forces you to look and look again at places that are at once familiar and alien; he asks you to see and to think.

cont'd...
http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2006/05/27/bademand27.xml&sSheet=/arts/2006/05/27/ixartleft.html


Previous by Thread: interview: (counter!) Terroris: and your house [US]
Next by Thread: interview: Faulty towers (Gautam Bhatia)
Partial thread listing: